Author Description

"Comic verse," writes editor John Gross, "is verse that is designed to amuse--and perhaps that is as far as any attempt at a definition ought to go." In The Oxford Book of Comic Verse, Gross has combed the annals of literature in English from the middle ages to the present, gathering poems that provoke laughter, smiles, and even reflections on the human condition--but always poems that amuse.From limericks to social satire, The Oxford Book of Comic Verse offers a remarkable collection of outstanding light poetry. Gross has brought together the finest writers in the history of the English language--from Chaucer and Skelton to Shakespeare and Swift, Lord Byron to Robert Browning, Emily Dickinson to John Updike--offering delightful examples of their comic verse. Many of these lines dance with whimsy, such as John Skelton's Colin Clout ("For though my rhyme be ragged,/ Tattered and jagged,/ Rudely rain-beaten,/ Rusty and moth-eaten,/ If ye take well therewith,/ It hath in it some pith"); others float heavier thoughts on light rhymes--as in Matthew Prior's succinct Human Life ("What trifling coil do we poor mortals keep;/ Wake, eat, and drink, evacuate and sleep."). The range of writers who have composed comic verse is astonishing, as is the delight of the poems themselves. Here we read T.S. Eliot mocking himself ("How unpleasant to meet Mr. Eliot!/ With his features of clerical cut"); poet and Soviet historian Robert Conquest, mingling his two professions in a limerick ("There was a great Marxist called Lenin/ Who did two or three million men in/ --That's a lot to have done in/ --But where he did one in/ That grand Marxist Stalin did ten in"); and Wendy Cope commenting on her disillusionment with poets ("I used to think all poets were Byronic./ They're mostly wicked as ginless tonic/ And wild as pension plans"). And along the way, we are treated to witty song lyrics as well, from First World War soldiers' tunes, to Irving Berlin, to Cole Porter, to Lorenz Hart ("When lo