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In The Sketch-Book (1820-21), Irving explores the uneasy relationship of an American writer to English literary traditions. In two sketches, he experiments with tales transplanted from Europe, thereby creating the first classic American short stories, Rip Van Winkle, and The Legend of Sleepy Hollow. Based on Irving's final revision of his most popular work, this new edition includes comprehensive explanatory notes of The Sketch-Book's sources for the modern reader.
An American writer navigates the complex cultural and literary tensions between his home country and the established traditions of Europe. Irving adopts the persona of Geoffrey Crayon to observe and document the customs, landscapes, and folklore of England and America. His objective is to bridge the gap between Old World heritage and New World identity, often encountering the resistance of history and the weight of tradition. The narrative framework utilizes a series of loosely connected essays, character sketches, and supernatural tales to explore these thematic concerns.
Readers and critics frequently identify this work as a foundational text in the development of American short fiction. Discussion often centers on how Irving successfully adapted European gothic tropes to create distinctively American myths. Many observers highlight the contrast between the author's observational essays and his more famous, narrative-driven tales. The pacing is noted for its leisurely, reflective quality, which aligns with the nineteenth-century essayist tradition. Scholars often emphasize the importance of the text in establishing a unique national voice during a period of heavy reliance on British literary models.
Page Count:
392
Publication Date:
1996-07-11
Publisher:
Oxford University Press
ISBN-10:
0192832123
ISBN-13:
9780192832122
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