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Some of the freshest, most vital, and diverse new literature written in the twentieth century has emerged from the Caribbean. And central to Caribbean literature is the short story, with its ties with the oral tradition. Now, The Oxford Book of Caribbean Short Stories, edited by Stewart Brown and John Wickham, brings together fifty-two stories in a major anthology representing over a century's worth of pan-Caribbean short fiction. This breathtaking collection is unique--and indispensable--in its inclusion of authors from the English, French, Spanish, and Dutch-speaking Caribbean.The distinctly Anglophone viewpoint of such prominent authors as Jean Rhys, Sam Sevlon, V.S. Naipual, and E.A. Markham is richly contrasted by contributions from French, Spanish, and Dutch writers like Alejo Carpentier, René Depestre, and Thea Doelwijt, while the new generation--represented by such writers as Edwidge Danticat and Patrick Chamoiseau--points the way forward for Caribbean writing into the twenty-first century. With his stimulating introduction, Brown provides an up-to-date overview of Caribbean writing. Exploring the literature's themes of history, race, social justice, identity, and migration, he traces its evolution from the gritty naturalism of the Anglophone tradition to the magical realism of the French and Spanish traditions to a body of contemporary pan-Caribbean literature that cannot be contained in any convenient linguistic, geographical, or thematic definition.Charting the shifting ideologies and styles of this century--from the flamboyant wit of Samuel Selvon to the deceptive simplicity of Jamaica Kincaid--The Oxford Book of Caribbean Short Stories delivers a wealth of satisfactions in a single volume with unprecedented range.
This anthology captures the diverse and evolving voices of the Caribbean, presenting a century of short fiction that reflects the region's complex cultural and linguistic landscape.
The collection functions as a comprehensive survey of Caribbean narrative, moving through various historical and social contexts. It highlights the tension between oral traditions and written forms, as well as the interplay between different colonial legacies. The narrative framework is multi-vocal, utilizing a wide array of stylistic approaches ranging from naturalism to magical realism to convey the multifaceted experience of the Caribbean diaspora and its inhabitants.
Readers and critics frequently highlight the breadth of this anthology as its primary strength, noting how it successfully bridges linguistic divides that often fragment Caribbean literary studies. Discussion often centers on the effective juxtaposition of classic authors like V.S. Naipaul with contemporary writers such as Edwidge Danticat. The collection is praised for its ability to showcase the stylistic diversity inherent in the region, moving fluidly between different cultural perspectives. Many readers appreciate the inclusion of translated works, which provides a more holistic view of the Caribbean literary tradition than collections limited to a single language. The anthology is widely regarded as a significant resource for those seeking to understand the evolution of Caribbean identity through the lens of short fiction.
Page Count:
512
Publication Date:
1999-05-27
Publisher:
Oxford University Press
ISBN-10:
0192832417
ISBN-13:
9780192832412
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