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In an era of unprecedented change--rapid urbanization, economic growth, and political revolution--European artists from 1700-1830 were in the business of finding new ways of making, selling, and talking about art. Matthew Craske creates a totally new and vivid record of eighteenth- and early nineteenth-century art in Europe, taking a critical view of such conventional categories as the "rococo," the "neo-classical," and the "romantic." He goes on to explore crucial thematic issues, such as changes in "taste" and manners, and the impact of enlightenment notions of progress, and at the same time goes well beyond the usual geographic limits of surveys to include St. Petersburg, Copenhagen, Warsaw, and Madrid. The result is a refreshingly holistic text which sets the art of the period firmly in its social history.
This work investigates how European art between 1700 and 1830 evolved in response to rapid urbanization, economic shifts, and political revolutions. Matthew Craske, an expert in eighteenth-century art, challenges traditional stylistic classifications like "rococo" and "neo-classical" by situating artistic production within its broader social and intellectual context. He argues that the period's art was fundamentally shaped by Enlightenment ideals and changing notions of taste, providing a framework that integrates aesthetic development with historical progress.
What You Will Find
Scope Limits
Scholars and students of art history frequently cite this text for its ability to synthesize complex social history with aesthetic analysis. Experts highlight the book as a valuable resource for those seeking to move beyond traditional, narrow definitions of eighteenth-century art movements.
Page Count:
320
Publication Date:
1997-05-08
Publisher:
Oxford University Press
ISBN-10:
0192842463
ISBN-13:
9780192842466
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