How can the study of Chinese art be re-evaluated to align with indigenous values rather than Western-centric biases? Craig Clunas, a professor and specialist in Chinese art and culture, challenges the traditional Western focus on sculpture by centering the narrative on art forms historically prioritized by Chinese practitioners, such as calligraphy and ink painting. He utilizes a social and cultural framework to examine how objects functioned within their original contexts, moving away from elitist or purely aesthetic interpretations.

Scholars and students frequently cite this work as a foundational text for shifting the discourse on Chinese art toward a more culturally accurate perspective. Readers often note the academic rigor of the prose while appreciating its accessibility for those seeking a departure from traditional art historical narratives.