Possession (du condamné)
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Author Description
As is typical of Finnissy, this piece is demanding for the performers. The tempo is slow at crotchet = 66 and much of the music of the upper two parts consists of sustained notes, with more movement occurring in the piano. The clarinet part can be played on the violin.The piece was commissioned by the Huddersfield Contemporary Music Festival.
Menrva's Summary
THE THESIS
This work functions as a technical score designed to explore the intersection of sustained melodic tension and rhythmic movement within a contemporary chamber music framework. Michael Finnissy, a composer known for his complex and demanding musical language, provides a structured composition that challenges the technical proficiency of the performers involved.
THE SCOPE MAP
What You Will Find
- A musical score composed for a specific instrumental ensemble
- Detailed performance instructions regarding tempo and articulation
- A notation system requiring high levels of instrumental control
Scope Limits
- The text does not provide historical context or theoretical analysis of the piece
- It does not offer pedagogical instruction for beginners
THE AUTHORITY PERSPECTIVE
Performers and musicologists frequently note the extreme technical demands inherent in Finnissy's compositions. Experts highlight this work as a significant example of contemporary chamber music that requires precise execution of sustained notes against complex piano accompaniment.
Page Count:
22
Publication Date:
2008-06-26
Publisher:
Oxford University Press Music
ISBN-10:
0193359855
ISBN-13:
9780193359857
Music
Musical Genres
Performance theory
Performance Score
Sheet Music
Songbooks
Contemporary Classical
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