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"Scholar, composer, conductor, teacher, author, music publisher, indefatigable advocate--Gunther Schuller isn't merely a musician; he's a monopoly." So wrote Alan Rich of New York Magazine in 1978, and his description still holds.Musings is a marvelous introduction to Schuller and his extraordinary range of musical experience, taste, and learning. The book is devided into four sections offering a rich sampling of Schuller's musical interests. In Part I, "Jazz and the Third Stream," Schuller gives us his definitions of jazz as well as insightful pieces on such figures as Duke Ellington, Sarah Vaughan, Lee Konitz, Sonny Rollins, and Cecil Taylor. Part II, "Music Performance and Contemporary Music," includes pieces on conducting, the future of opera, the question of a new classicism, and the works of Monteverdi and Stravinsky, Part III shows us "Schuller the Composer" with such pieces as "Shapes and Designs," "Composing for Orchestra," and "In Praise of Winds," as well as Schuller's own thought about his controversial opera The Visitation. The final section, "Music Esthetics and Education," finds Schuller reflecting on such matters as form, structure, and symbol in music, and the need for broadening the audience for quality music.From the scholarly to the popular and the polemical, Musings will delight Schuller's admirers and win new converts.
This collection investigates the multifaceted role of the modern musician by synthesizing the diverse experiences of Gunther Schuller as a composer, conductor, and educator. Schuller, a prominent figure in 20th-century music, utilizes his extensive background in both jazz and classical traditions to argue for a more integrated approach to musical analysis and performance. The text serves as a comprehensive overview of his professional philosophy, bridging the gap between technical composition and broader aesthetic concerns. By examining specific historical figures and his own creative processes, Schuller provides a framework for understanding the evolution of contemporary musical thought.
What You Will Find
Experts and musicologists frequently cite this work as a vital primary source for understanding the intersection of jazz and classical traditions in the mid-20th century. Readers often note the breadth of Schuller's technical knowledge, which makes the text a foundational resource for students of music history and composition.
Page Count:
315
Publication Date:
1986-01-30
Publisher:
Oxford University Press
ISBN-10:
0195037456
ISBN-13:
9780195037456
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