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Radio Comedy is a fascinating journey into the recent past of American popular culture, an exploration of radio's Golden Age of humor. Bringing together excerpts from the transcripts of shows that helped define a period, and offering many rare studio photographs, it brings to life once again the excitement that radio generated among American audiences of the 30s and 40s. Wertheim recaptures the uproarious comedy of Amos 'n' Andy, Jack Benny, Fred Allen, Bob Hope, and Will Rogers, as well as the small town humor of programs such as Fibber McGee and Molly and Vic and Sade, showing how and why they became such a craze during the Great Depression and World War II eras. He also explores the relationship of social history to radio comedy, demonstrating how some shows reflected on the events occuring in America and afforded listeners not only an escape from reality, but a running commentary on society in a form the public could accept. Particularly incisive, and couched in accessible, readable language, this book reveals how radio comedy was both a traditional and innovative form of American humor. While resembling the frontier humor of the comic braggart, and borrowing from vaudeville stage comedy, radio comedy also fashioned an entirely new type of humor especially suited to the new sound medium.Telling the compelling story of an exciting era of entertainment, Radio Comedy also helps illuminate the roots of today's gigantic show business industry. For anyone interested in American popular culture, it is essential reading.
This book investigates the cultural significance and evolution of American radio comedy during the 1930s and 1940s, questioning how this medium functioned as both a source of escapism and a social commentary. Arthur Frank Wertheim, a scholar of American popular culture, utilizes primary source transcripts and archival studio photography to construct a comprehensive history of the medium. He argues that radio comedy synthesized traditional vaudeville and frontier humor with innovative techniques specifically adapted for the sound medium, ultimately laying the foundation for modern show business.
What You Will Find
Scholars and cultural historians frequently cite this work as a foundational text for understanding the development of American broadcast entertainment. Readers often note the accessibility of the prose, which balances academic rigor with an engaging narrative style suitable for both students and enthusiasts of media history.
Page Count:
464
Publication Date:
1992-10-22
Publisher:
Oxford University Press
ISBN-10:
0195079183
ISBN-13:
9780195079180
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