
Once upon a time, in the Paris of Louis XIV, five ladies and one gentleman-- all of them aristocrats-- seized on the new enthusiasm for "Mother Goose Stories" and decided to write some of them down. Telling stories resourcefully and artfully was a key social grace, and when they recorded these elegant narratives they consciously invented the modern fairy tale as we still know it today.For this beautiful anthology of six masterpiece wonder tales, Marina Warner gathered five writers with a special sympathy for the French stories they render here in burnished, cunning and amusing English. The stories, "The White Cat" (translated by John Ashbery), "The Subtle Princess" (Gilbert Adair), "Bearskin" and "Starlight" (Terence Cave), "The Counterfeit Marquise" (Ranjit Bolt), and "The Great Green Worm" (A.S. Byatt), are as unforgettable today as they were when first published centuries ago. Wonder is the key to the stories, and each tale abounds with transformation and magic. Wonders can be benign (like the garden fruits that come when you whistle) or baneful (like the bad fairy Magotine's spells), producing dread and desire at the same time. But, fortunately, they almost always punish those who deserve it: tyrants, seducers, and other forces of malevolence.Heroes and heroines are put to mischievous tests, and their quest for love is confounded when their objects of desire change into beasts or monsters. Still, true understanding and recognition of the person beneath the spell wins in the end, for after wonder comes consolation, and after strange setbacks comes a happy ending. In Wonder Tales, a magical world awaits all who dare to enter.
The central conflict arises when protagonists are subjected to supernatural transformations and moral tests that threaten their pursuit of love and social standing. These characters must navigate worlds where magic acts as both a reward for virtue and a punishment for malevolence. The narrative framework relies on the tradition of the French salon fairy tale, utilizing a tone that balances courtly elegance with the raw, often bizarre elements of folklore. The stories operate under the logical constraints of enchantment, where physical forms are fluid and the true nature of an individual is revealed through their response to adversity.
Readers frequently highlight the sophisticated prose style that distinguishes these translations from more sanitized versions of fairy tales. Discussion often centers on the historical context provided by the anthology, which illuminates the origins of the genre in the French salon culture of the seventeenth century. Critics appreciate the balance between the whimsical nature of the magic and the underlying social commentary present in the original texts. The collection is noted for its ability to maintain a sense of wonder while acknowledging the darker, more mischievous elements inherent in the source material. Readers often find the diverse voices of the translators add a unique texture to the overall reading experience.
Page Count:
243
Publication Date:
2004-11-04
Publisher:
Oxford University Press
ISBN-10:
0195178211
ISBN-13:
9780195178210
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