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Now that the political and economic plight of European Roma and the popularity of their music are objects of international attention, Romani Routes provides a timely and insightful view into Romani communities both in their home countries and in the diaspora. Over the past two decades, a steady stream of recordings, videos, feature films, festivals, and concerts has presented the music of Balkan Gypsies, or Roma, to Western audiences, who have greeted them with exceptional enthusiasm. Yet, as author Carol Silverman notes, Roma are revered as musicians and reviled as people.In this book, Silverman introduces readers to the people and cultures who produce this music, offering a sensitive and incisive analysis of how Romani musicians address the challenges of discrimination. Focusing on southeastern Europe then moving to the diaspora, her book examines the music within Romani communities, the lives and careers of outstanding musicians, and the marketing of music in the electronic media and "world music" concert circuit. Silverman touches on the way that the Roma exemplify many qualities--adaptability, cultural hybridity, transnationalism--that are taken to characterize late modern experience. And rather than just celebrating these qualities, she presents the musicians as complicated, pragmatic individuals who work creatively within the many constraints that inform their lives.
This work investigates the paradox of how Romani musicians are simultaneously celebrated for their artistic contributions and marginalized by systemic social discrimination. Carol Silverman, a professor of anthropology and folklore, utilizes two decades of ethnographic fieldwork, interviews, and media analysis to examine the intersection of music, identity, and politics. She argues that Romani music serves as a vital site of agency and cultural negotiation, allowing performers to navigate the complex constraints of both their home countries and the global diaspora.
What You Will Find
Scholars and ethnomusicologists frequently cite this text as a foundational study for understanding the intersection of performance and social marginalization. Readers often note the balance between rigorous academic analysis and the accessible, human-centered narratives of the musicians involved.
Page Count:
432
Publication Date:
2012-05-03
Publisher:
Oxford University Press
ISBN-10:
0195300947
ISBN-13:
9780195300949