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This book is essentially written as a reference point for the general reader interested in or doing research on the history of Pakistani art. It focuses on painting and sculpture as the two mediums of art in the subcontinent.The first two chapters of the book present the period of the downfall of Mughal art, the materialization of the East India Company art, and the eventual Western style of the Raj art form. Naqvi presents Pakistani art as a distinguished aspect of Muslim heritage of the subcontinent.Works of several pioneers of modern art, such as Zubeida Agha and Shakir Ali are analyzed in detail. Particular focus is given to how modern Pakistani artists juxtapose cubism and abstract images with the traditional subcontinental style of art, using the rich heritage to make individual expressions that our culture is familiar with and can relate to.A chapter is dedicated to the women artists of Pakistan, who are using their art as a medium to define and represent their emerging independence as the current context of gender awareness would have it. The chapter on sculpture exposes, for the first time, the vibrancy and growth of this medium in Pakistan.
This book investigates the historical trajectory and cultural identity of Pakistani art, specifically focusing on how modern artists reconcile Western techniques with traditional subcontinental heritage. Akbar Naqvi, a scholar of South Asian art, provides a comprehensive analysis of the evolution of painting and sculpture in the region. By examining the transition from Mughal traditions to the influence of the East India Company and the British Raj, the author establishes a framework for understanding the distinctiveness of Pakistani artistic expression. The text serves as a critical reference for those seeking to understand the intersection of historical legacy and contemporary identity in the subcontinent.
What You Will Find
Experts and researchers identify this work as a foundational reference for the study of Pakistani art history. Readers frequently note the clarity with which Naqvi connects historical shifts to the individual creative choices of modern artists.
Page Count:
302
Publication Date:
2011-04-15
Publisher:
Oxford University Press
ISBN-10:
0195471725
ISBN-13:
9780195471724
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