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Though the Symbolist heyday in Paris was short-lived, the movement had an influence on painting in both duration and geographical range. Important Symbolist painters were at work in places as remote from one another as Munch in Oslo, Klimt in Vienna, and the young Picasso in Barcelona. It is through Symbolism, too, that the relationship between the English painting of the later nineteenth century and what was taking place in Europe can be explained. Edward Lucie-Smith's important study throws light upon the origins of Modernism, and upon the development of painting and sculpture in the final years of the century. 185 illus., 24 in color.
This text investigates the origins of Modernism by examining the geographical reach and enduring influence of the late nineteenth-century Symbolist art movement. Edward Lucie-Smith, a noted art historian and critic, utilizes a comprehensive survey of painters and sculptors to argue that Symbolism served as a critical bridge between nineteenth-century traditions and the emergence of modern artistic practices. By analyzing works from diverse European centers, the author provides a framework for understanding how localized aesthetic movements coalesced into a broader continental shift.
What You Will Find
Experts recognize this work as a foundational survey for those seeking to understand the transition into Modernism. Readers frequently note the accessibility of the prose, which balances academic rigor with a clear, chronological overview of the movement's key figures.
Page Count:
0
Publication Date:
1985-01-01
Publisher:
Thames & Hudson
ISBN-10:
0195199472
ISBN-13:
9780195199475
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