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During Japan's early history, musical instruments were seen as sources of ritual power, allowing performers to call up divine forces for inspiration and aid. As Japan developed a court and then an urbanized society, instrumental performance remained at the heart of aesthetic experience, playing diverse roles expanded to cover nearly every part of the society.Illustrated with images drawn from picture scrolls as well as photographs of instruments as they are used in performance, Japanese Musical Instruments is a complete survey of traditional instruments. The book includes literary references to musical instruments from sources that span the tenth to the twentieth centuries, and it describes in detail the musical instruments' dual roles as 'instruments of culture' and as devices for producing sound. Easy to use and concise, the book is a readable overview of the nation's musical heritage.
This work investigates the historical evolution and cultural significance of Japanese musical instruments from their origins as ritual objects to their roles in modern society. Hugh de Ferranti, an expert in ethnomusicology, utilizes a combination of historical literary analysis and visual documentation to examine how these instruments function both as aesthetic tools and as conduits for spiritual and social expression. The text argues that the development of these instruments mirrors the broader transformation of Japanese society across ten centuries.
What You Will Find
Experts and musicologists recognize this text as a highly accessible and concise introduction to the field of Japanese traditional music. Readers frequently note that the book successfully balances academic rigor with a clear, readable overview suitable for both students and general enthusiasts.
Page Count:
128
Publication Date:
2000-11-23
Publisher:
Oxford University Press
ISBN-10:
0195905008
ISBN-13:
9780195905007
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