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Tracing the Pre-Raphaelite movement through its chronological development rather than by artist, this volume concentrates on the vital years from 1848 (when the Brotherhood was formed) to 1860, but also includes a substantial group of works from the following 20 years - a period during which the movement took new directions. The full range of Pre-Raphaelite painting is represented, from the hard-edged style of Millais's early work to the sensuousness of Rossetti's and Burne-Jones's painting in the 1870s. Altogether 250 works from collections all over the world are illustrated and discussed by scholars such as Mary Bennett, Judith Bronkhurst, John Christian, Alastair Grieve, Benedict Read and Malcolm Warner. In his introduction, Sir Alan Bowness surveys the development of Pre-Raphaelitism and examines to what extent it was ever a shared style. The chronological arrangement of the book is designed to focus on the same question and to suggest the numerous cross-currents of the movement.
This volume investigates the evolution of the Pre-Raphaelite movement by analyzing its chronological development and the extent to which it functioned as a unified artistic style. The text is compiled by the Tate Gallery and features contributions from prominent art historians including Mary Bennett and Sir Alan Bowness. By organizing 250 works chronologically rather than by individual artist, the authors provide a framework to examine the shifting aesthetic priorities of the movement from its inception in 1848 through the late 19th century.
What You Will Find
Scope Limits
Experts recognize this volume as a comprehensive visual and analytical resource for understanding the transition of the Pre-Raphaelite movement. Readers frequently note the academic rigor of the contributors and the value of the chronological arrangement in highlighting stylistic shifts.
Page Count:
312
Publication Date:
1984-01-01
Publisher:
The Tate Gallery & Penguin Books
ISBN-10:
0140069933
ISBN-13:
9780140069938
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