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Penguin Noir offers “a view of life under a man-made ego-system,” The Sea of Wonders, in which poet Nicelle Davis queries the implications of preserving (penguin) lives when the world that would support them is becoming unlivable and our relationship to them increasingly mediated (“So many images of nature, we struggle ever to make it outside”). Wry, yearning, exasperated, this play-in-verse with bold paintings by artist Cheryl Gross and dramatic monologues of individual Emperor, Gentoo, and other penguins dares us to look penguins (and, by extension, the world) in the eye and ‘fess up to the mess we’ve made. Sharp, eviscerating wit will keep you rubbernecking the spectacle Davis walks us through.
A poet confronts the ecological and existential crisis through the lens of penguins and a man-made ecosystem. The Sea of Wonders, a constructed environment, becomes the stage for Nicelle Davis's exploration of humanity's impact on nature. The work questions the ethics of preserving species in a world increasingly hostile to them, highlighting our mediated relationship with the natural world through a collection of dramatic monologues from various penguin species.
The work is characterized by its sharp, eviscerating wit and a tone that is simultaneously wry, yearning, and exasperated. The inclusion of bold paintings by artist Cheryl Gross suggests a multi-disciplinary approach to its themes. The premise sets up a critical examination of humanity's role in ecological decline, using penguins as a focal point to confront the audience with the consequences of their actions. The narrative framework appears to be a collection of dramatic monologues, offering individual perspectives within a larger ecological commentary.
Page Count:
65
Publication Date:
2025-01-01
Publisher:
Livingston Press, The University of West Alabama
ISBN-10:
1604894032
ISBN-13:
9781604894035
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