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Collected Plays of Mahesh Elkunchwar, Volume II brings together eight critically acclaimed plays--Holi, Flower of Blood, God Son, As One Discardeth Old Clothes, Autobiography, Party, Pond, and Apocalypse--by the noted Marathi playwright.'Holi', the first play in the collection, is about a group of restless, directionless, and disillusioned youngsters on the campus, who finally vent their frustrations on a gullible victim, ending in a gruesome tragedy. 'Flower of Blood' is about the trauma of an aging woman and her daughter's discovery of her sexuality. 'God Son' is a study of emotional and physical abuse inflicted in the name of 'scientific' upbringing. 'As One Discardeth Old Clothes' delves into the mind of a man who is waiting to discard his mortal shackles and join the Supreme One.'Autobiography' is about an old writer trying to write his autobiography and coming to terms with a lifetime of lies and deceit. 'Party' is a vignette of city sophisticates and urban artists and their vacuous, masked lives. 'Pond' and 'Apocalypse' are part of the Wada trilogy. While 'Pond' tries to portray the changing values of Dharangaonkar Deshpandes, the younger generation taking over and succumbing to the materialistic lifestyle that spells doom for them as well as others, 'Apocalypse' is indicative of a futuristic picture of India, her villages denuded of everything and turning them into a vast desert: environmental, economic, cultural, social, and spiritual.Translated by Shanta Gokhale, Supantha Bhattacharya, Irawati Karnik, and Ashish Rajadhyaksha, this volume includes a Foreword by Vijaya Mehta and an introduction by Ananda Lal. The volume also includes detailed notes on production of each of the eight plays and photographs of the staging of the plays.
This collection captures the volatile intersection of individual disillusionment and the decaying structures of traditional Indian society. Through eight distinct plays, Mahesh Elkunchwar examines the psychological fractures of characters ranging from restless students to aging artists and crumbling families. The narrative framework shifts between intimate domestic realism and stark, symbolic commentary on the human condition. Each play functions as a mirror to the societal pressures, moral compromises, and existential crises that define the lives of the protagonists.
Readers and critics frequently highlight the uncompromising nature of Elkunchwar’s writing, noting his ability to strip away social facades to reveal raw human vulnerability. Discussion often centers on the thematic depth of the Wada trilogy, particularly how the author maps the decline of rural traditions against the encroachment of a barren, materialistic future. The pacing is described as deliberate and intense, favoring character-driven psychological exploration over traditional plot progression. Scholars and theater practitioners emphasize the importance of these works in the canon of Indian drama, citing their enduring relevance in addressing social and existential anxieties. The collection is widely regarded as a significant resource for understanding the evolution of modern Indian theatrical expression.
Page Count:
368
Publication Date:
2011-01-01
Publisher:
Oxford University Press
ISBN-10:
0198070853
ISBN-13:
9780198070856
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