This work investigates the theoretical foundations and practical manifestations of Italian Futurist theatre between 1909 and 1944. Günter Berghaus, a scholar of performance history, synthesizes archival records and artistic manifestos to document the movement's evolution under F. T. Marinetti. The text provides a comprehensive framework for understanding how Futurist artists challenged traditional dramatic conventions through experimental performance, stage design, and interdisciplinary collaboration. By examining the movement's trajectory, the author clarifies the relationship between Futurist ideology and the radical transformation of early 20th-century European theatre.

Scholars and theatre historians recognize this volume as a definitive reference for the study of the Futurist movement's theatrical output. Readers frequently note the academic density of the prose and the thoroughness of the historical documentation provided by the author.