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There are two surviving versions of Calderón's play on the Faust theme, El mágico prodigiosos. The first, preserved in an incomplete autograph manuscript, was written for performance in the town of Yepes on the Feast of Corpus Christi in 1637, with staging appropriate for the traditional Corpus mystery play, the auto sacramental. The second, first published in 1663, is an adaptation for performance in the playhouses of Madrid. The circumstances of the play's textual identity are unique in the seventeenth-century Spanish theater and the purpose of this complete edition is to reveal in action not only the dramatist's developing vision but the imperatives of a remarkable commercial theater and its symbiotic relationship with the religious order of the day. At the same time, the opportunity has been taken to provide a study of the play and its two versions, its sources and its context; a lengthy introduction, extensive notes, and a full textual apparatus accompany the composite text.
This work investigates the textual evolution and performance history of Pedro Calderón de la Barca's play, El mágico prodigioso, by comparing its two distinct surviving versions. The author provides a comprehensive scholarly analysis of the differences between the 1637 autograph manuscript intended for religious performance and the 1663 printed version adapted for the commercial playhouses of Madrid. By examining these variations, the study illuminates the intersection of seventeenth-century Spanish theatrical commercialism and the religious imperatives of the era.
What You Will Find
Scholars and students of Spanish Golden Age theater recognize this edition as a foundational resource for understanding the textual fluidity of Calderón's work. The text is noted for its academic rigor and its ability to bridge the gap between performance history and literary analysis.
Page Count:
296
Publication Date:
1992-04-02
Publisher:
Oxford University Press
ISBN-10:
019815867X
ISBN-13:
9780198158677
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