
Tchaikovsky's Ballets combines a detailed and thorough analysis of the music of Swan Lake, Sleeping Beauty, and Nutcracker with descriptions of the first productions of these works in Imperial Russia. A background chapter on the ballet audience, the collaboration of composer and balletmaster, and Moscow of the 1860's leads into an account of the first production of Swan Lake in 1877. A discussion of theater reforms initiated by the Director of the Imperial Theaters prepares the reader for a study of the still-famous 1890 St. Petersburg production of Sleeping Beauty. Wiley then explains how the Nutcracker, produced just two years after Sleeping Beauty, was seen in a much less favorable light than it is now. Separate chapters are devoted to the music of each ballet and translations of published libretti, choreographer's instructions to the composer, and the balletmaster's plans for Sleeping Beauty and the Nutcracker are reproduced in appendices.
This work investigates the historical and musical development of Tchaikovsky's three major ballets within the context of the Imperial Russian theater system. Roland John Wiley, a scholar of Russian music and dance, synthesizes archival research with musicological analysis to argue that these works were shaped by specific institutional reforms and collaborative dynamics between composers and balletmasters. The text provides a rigorous examination of the production history, libretti, and compositional intent behind these iconic scores.
What You Will Find
Scholars and music historians frequently cite this text as a foundational resource for understanding the intersection of Russian ballet and 19th-century composition. Readers often note the academic density of the prose, which provides a comprehensive look at the technical and institutional challenges faced by Tchaikovsky during his career.
Page Count:
456
Publication Date:
1991-05-09
Publisher:
Clarendon Press
ISBN-10:
0198162499
ISBN-13:
9780198162490
No comments yet. Be the first to share your thoughts!