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A Virtuoso For The Ages, Desmond Richardson (b. 1968) Is A Dancer Renowned For Delivering Commanding Performances Over Decades In Contexts Ranging From The Stages Of The Alvin Ailey American Dance Theater And Ballett Frankfurt To Featured Appearances With Michael Jackson And Prince. He Was Born In Sumter, South Carolina To A Caribbean Mother From Barbados And An African American Father, And Was Raised By His Mother In Queens, New York, Where He Would Dance At House Parties With His Family Of Artists. Richardson Set His Dance Practice In Motion As A B-boy, Popping And Locking In Queens Before Attending Fiorello H. Laguardia High School Of Music & Art And Performing Arts (the Fame School) In Manhattan And Earning A Contract With Alvin Ailey In The 1980s. In 1994, He Co-founded Complexions Contemporary Ballet With Choreographer Dwight Rhoden. Richardson Is One Of The Most Visible And Admired African American Dance Artists And Played A Significant Role In Inaugurating What I Call In This Book The Virtuosic Turn Of 1990s And 2000s Concert Dance In The United States. He Modeled His Career After Acclaimed Black Dancers Alvin Ailey, Carmen De Lavallade, Arthur Mitchell, And Judith Jamison, Continuing A Tradition Of Soloism And Individual Artistry, And The Height Of His Fame Just Preceded The Popularity Of Ballerina, Misty Copeland. It Is Unusual, If Not Unheard Of, For A Dancer To Possess The Breadth Of Technical Expertise Necessary To Dance With Companies As Rooted In Classical Ballet As Are American Ballet Theater And San Francisco Ballet, And To Also Have The Chops To Breakdance, Pop And Lock, And Star On Broadway In Fosse Numbers With Equal Aplomb. The New York Times Refers To Richardson As One Of The Great Virtuoso Dancers Of His Generation. In Addition, He Has Appeared As A Guest Artist On The Television Show, So You Think You Can Dance, Reaching Audiences Who Would Not Otherwise Have Access To Concert Dance. Richardson's Personal Style Epitomizes The Idea Of Virtuosi
This book investigates how Desmond Richardson’s career serves as a primary case study for the 'virtuosic turn' in American concert dance during the 1990s and 2000s. Ariel Osterweis, a scholar of dance and performance studies, utilizes archival research and performance analysis to argue that Richardson’s unique ability to bridge disparate dance forms—from classical ballet to street dance—redefined the boundaries of individual artistry. The text positions Richardson as a pivotal figure who synthesized the legacies of Black dance pioneers with contemporary commercial and concert demands.
What You Will Find
Scope Limits
Scholars and dance critics recognize this work as a significant contribution to the study of contemporary dance performance and racial representation in the arts. Readers frequently note the academic rigor of the prose, which effectively bridges the gap between technical dance analysis and broader cultural history.
Page Count:
0
Publication Date:
2024-01-01
Publisher:
New York : Oxford University Press,
ISBN-10:
0190645830
ISBN-13:
9780190645830
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