
Indian Music and the West examines perceptions and representations of Indian music in the West over a period of two hundred years, ranging from orientalist studies of Indian history and culture in the eighteenth and nineteenth centuries, to the adoption of elements from Indian music in Western popular culture in the latter half of the twentieth century. Gerry Farrell charts the place of Indian music within the context of colonialism, the use of Indian imagery in Western popular songs and on the stage, and the early days of the gramophone in India. Farrell also demonstrates how Indian music has been discovered and re-discovered in the West, and how these discoveries have reflected changing cultural, social, and political relations between India and the West. This is the story of the interface between two sophisticated and complex musical systems.
This book investigates the historical trajectory of Western perceptions and representations of Indian music over a two-hundred-year period. Author Gerry Farrell, an expert in ethnomusicology, utilizes a historical framework to analyze how colonial dynamics, early recording technology, and shifting cultural attitudes influenced the Western reception of Indian musical traditions. The text argues that these interactions reflect broader political and social power structures between India and the West.
What You Will Find
Scholars and musicologists frequently cite this work as a foundational text for understanding the intersection of colonial history and musical cross-pollination. Readers often note the academic rigor and the depth of the historical research presented throughout the chapters.
Page Count:
256
Publication Date:
1997-05-15
Publisher:
Oxford University Press
ISBN-10:
0198163916
ISBN-13:
9780198163916
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