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Patronage, in its broadest sense, has been established as one of the dominant social processes of pre-industrial Europe. While it has been traditionally viewed simply as the context for extraordinary artistic creativity, patronage has more recently been examined by historians and art historians alike as a comprehensive system of patron-client structures which permeated society and social relations. Focusing specifically on the city of Florence, these essays explore the new understanding of Renaissance Italy as a 'patronage society,' considering its implications for the study of art patronage and patron-client structures wherever they occur.
This collection of essays investigates the extent to which patronage functioned as a foundational social system in Renaissance Florence rather than merely a backdrop for artistic production. The authors, F. W. Kent and Patricia Simons, curate a series of scholarly contributions that analyze the complex web of patron-client relationships that defined social, political, and economic life in pre-industrial Europe. By synthesizing historical data with art historical analysis, the text argues that patronage was a pervasive structure that dictated social hierarchy and cultural output.
What You Will Find
Experts recognize this volume as a significant contribution to the study of Renaissance social history and the mechanics of cultural patronage. Readers frequently note the academic density of the prose, which serves as a foundational resource for scholars interested in the structural realities of Florentine society.
Page Count:
331
Publication Date:
1987-09-03
Publisher:
Clarendon Press
ISBN-10:
0198219784
ISBN-13:
9780198219781
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