Iranian born artist Navid Nuur's process-based works question the connections between idea and form. Utilising a range of media, including drawing, text and installation, Nuur's practice examines how the art object might extend beyond the physical and temporal conventions of an exhibition and into the minds of viewers. Following in the great 20th century tradition of the artist's book, this title is based on Nuur's sketchbooks, documenting his workings over a five year period.