
This treatise on aesthetics begins by showing that the word "art" is used as a name not only for "art proper" but also for certain things which are "art falsely so called." These are craft or skill, magic, and amusement, each of which, by confusion with art proper, generates a false aesthetic theory. In the course of attacking these theories the author criticizes various psychological theories of art, offers a new theory of magic, and reinterprets Plato's so-called "attack on art," showing that it has been entirely misunderstood. Finally, he draws important inferences concerning the position of art in human society.
This treatise investigates the fundamental nature of art by distinguishing it from related concepts such as craft, magic, and amusement. R. G. Collingwood, a prominent philosopher and historian, utilizes a rigorous analytical framework to dismantle common misconceptions regarding aesthetic experience. By examining the psychological and social dimensions of creative expression, he constructs a definition of art proper that separates it from mere technical skill or emotional manipulation.
What You Will Find
Experts frequently cite this work as a foundational text in 20th-century aesthetic philosophy. Readers often note the dense, academic nature of the prose, which requires careful attention to the author's specific definitions and logical progression.
Page Count:
360
Publication Date:
1963-01-01
Publisher:
Oxford Univ Press
ISBN-10:
0198810628
ISBN-13:
9780198810629
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