This book investigates the evolving landscape of television studies in an era of media convergence and fragmentation. It examines how traditional theories and methodologies must adapt to understand contemporary screen cultures, which are shaped by digital technologies, globalized broadcasting, and new forms of audience engagement.

The book is recognized as a significant contribution to media and cultural studies, offering a critical perspective on the transformations within television and screen media. It is likely to be valued by academics and students for its theoretical depth and its engagement with contemporary media phenomena. The work prompts a re-evaluation of established critical approaches, suggesting new avenues for understanding the complex relationship between media, technology, and society.