Maps have long been wielded as instruments of power, shaping perceptions and influencing political landscapes. This book explores how cartography has been employed not merely to represent territory, but to actively construct and disseminate propaganda, influence public opinion, and serve artistic expression. It delves into the intricate relationship between mapmaking, political ideology, and aesthetic design across various historical periods and cultures.

The book is likely to be appreciated by scholars and enthusiasts of cartography, history, and art. Its focus on the intersection of maps, power, and propaganda suggests a rigorous academic approach, drawing on historical evidence and visual analysis. The subject matter indicates a text that will appeal to those interested in how visual representations can shape understanding and influence societal narratives. It is expected to offer a comprehensive overview of maps as more than just geographical tools, but as potent cultural artifacts.