The book investigates the complex relationship between historical representation and artistic interpretation, particularly within the context of North West anarchosyndicalism. David Jacques, a visual artist, employs a narrative structure interwoven with text and illustration to explore how history is perceived and depicted. The work delves into factual subjects, presenting them through a series of illusory happenings that challenge conventional notions of historical accuracy and artistic representation.

The work is presented as a compelling collection that investigates factual subjects through an artistic lens, juxtaposing them with illusory happenings to explore historical representation. The jacket copy suggests a narrative-based approach combining text and illustration, indicating a focus on the visual artist's unique perspective on history. The book's structure and content appear designed to provoke thought on how history is conveyed and understood through art. This approach likely appeals to readers interested in the intersection of art, history, and political theory.