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In The History of Music Production, Richard James Burgess draws on his experience as a producer, musician, and author. Beginning in 1860 with the first known recording of an acoustic sound and moving forward chronologically, Burgess charts the highs and lows of the industry throughout the decades and concludes with a discussion on the present state of music production. Throughout, he tells the story of the music producer as both artist and professional, including biographical sketches of key figures in the history of the industry, including Fred Gaisberg, Phil Spector, and Dr. Dre. Burgess argues that while technology has defined the nature of music production, the drive toward greater control over the process, end result, and overall artistry come from producers. The result is a deeply knowledgeable book that sketches a critical path in the evolution of the field, and analyzes the impact that recording and disseminative technologies have had on music production. A key and handy reference book for students and scholars alike, it stands as an ideal companion to Burgess's noted, multi-edition book The Art of Music Production.
This book investigates the historical evolution of music production, questioning how the interplay between technological advancement and human artistry has shaped the role of the producer. Richard James Burgess, a seasoned producer and musician, utilizes his professional background to construct a chronological analysis of the industry. He examines the transition from early acoustic recording techniques to modern digital workflows, arguing that the producer's desire for creative control remains the primary catalyst for innovation. By integrating biographical accounts with technical history, the author provides a comprehensive framework for understanding the development of the field.
What You Will Find
Experts and students of music technology frequently cite this work as a foundational text for understanding the industry's development. Readers often note the balance between technical detail and accessible narrative, making it a standard reference for those studying the history of sound recording.
Page Count:
264
Publication Date:
2014-01-01
Publisher:
Oxford University Press
ISBN-10:
0199385017
ISBN-13:
9780199385010
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