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Why say thank you with a portrait statue? This book combines two different and quite specialized fields, archaeology and epigraphy, to explore the phenomenon of portraits in ancient art within the historical and anthropological context of city-states honouring worthy individuals through erecting statues, and the development of families imitating this practice.This transaction tells us a lot about the history of these cities and how ancient art worked as a construction of relations during the Hellenistic period (c. 350 BC- c. AD 1), which is marked by a political culture of civic devotion, common decision making, and publicness.As honorific statues were considered public art, the volume also investigates the workings of images, representations, memory, and the monumental public form of permanent inscription, to see what stories the Hellenistic city-states can reveal about themselves.
This book investigates the socio-political function of honorific portrait statues as a mechanism for constructing civic identity and social relations within Hellenistic city-states. John Ma, a scholar of ancient history, synthesizes archaeological evidence with epigraphic records to analyze how the practice of erecting statues served as a medium for public communication and political negotiation. By examining the intersection of art, memory, and civic devotion, the author argues that these monuments were not merely decorative but were essential components of the political culture of the period.
What You Will Find
Experts recognize this work as a significant contribution to the study of Hellenistic political culture and the social history of ancient art. Scholars frequently note the rigorous methodology employed by the author in bridging the gap between material culture and epigraphic evidence.
Page Count:
408
Publication Date:
2013-08-24
Publisher:
Oxford University Press
ISBN-10:
0199668914
ISBN-13:
9780199668915
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