This volume investigates the application of diverse critical and theoretical methods to a wide spectrum of performance genres. It offers a comprehensive introduction to the contributions of critical theory to the study of drama, theater, and performance, drawing on contemporary and historical examples. The book examines genres ranging from traditional stage plays and dance-dramas to performance art, cabaret, stand-up comedy, jazz, circus, street theater, and shamanistic ritual. This updated edition incorporates new essays and critical introductions, reflecting recent trends such as critical race theory, postcolonial studies, gender and sexualities, and mediatized cultures.

This collection has been highly influential in the field of performance studies for over a decade, providing a foundational resource for academic investigations. The updated edition is designed to remain an indispensable tool for critics, teachers, and students by incorporating recent scholarly trends and expanding its scope. Its comprehensive approach and the inclusion of leading scholars' work pave the way for future scholarship in the dynamic field of performance studies.