This book examines the complex relationship between Latinx theater and the socio-economic forces of neoliberalism. Patricia A. Ybarra, an established scholar in performance studies, analyzes how Latinx theater artists have responded to and critiqued the policies and cultural shifts associated with neoliberalism since the late 20th century. The work draws on extensive research into theatrical productions, playwrights' writings, and critical discourse to argue that these artists have developed innovative strategies to maintain cultural relevance and political engagement within an increasingly market-driven society. Ybarra explores how economic pressures have shaped artistic production, audience engagement, and the very definition of what constitutes Latinx theater.

This scholarly work is positioned as a critical analysis of contemporary Latinx theater's engagement with neoliberalism. Its focus on socio-economic forces and artistic response suggests a text aimed at academics and students of theater studies, cultural studies, and Latinx studies. The book likely offers a dense, theoretically informed examination of its subject matter, providing valuable insights into the challenges and innovations within this specific theatrical landscape.