This book investigates the complex and often fraught relationship between the political ideology of Fascism and the art form of theatre during the 20th century. Berghaus, a noted scholar of theatre history, examines how Fascist regimes utilized, manipulated, and suppressed theatrical productions to serve their ideological and propaganda aims. The work analyzes the theoretical underpinnings of Fascist aesthetics in performance and the practical implementation of these ideas across various European nations.

This scholarly work is recognized for its comprehensive examination of a critical intersection between political ideology and artistic expression. Scholars in theatre history and political science have noted its detailed research and insightful analysis of how Fascist regimes weaponized theatre for their own ends. The book is considered an important resource for understanding the cultural apparatus of totalitarian states and the challenges faced by artists within such environments.