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Thirty years ago, in a lecture at the Radcliffe Institute, Tillie Olsen first addressed the problem of silences in literature - paving the way for future explorations of the subject, including her landmark work, Silences. The subject of silences and silencing - as fact, as trope, as lens through which to understand literary history - has been central to feminist criticism ever since. In Listening to Silences, a group of distinguished feminist literary critics reevaluates Olsen's heritage to reassert, extend, redefine, and question her insights, and to probe the dynamics of silence and silencing as they operate today in literature, criticism, and the academy. The book traces for the first time the genealogy of an important American critical tradition, one that still influences contemporary debates about feminism, multiculturalism, and the literary canon. Forming a highly diverse group, the contributors to Listening to Silences include Kate Adams, Norma Alarcon, Joanne Braxton, King-Kok Cheung, Constance Coiner, Robin Dizard, Shelley Fisher Fishkin, Diana Hume George, Elaine Hedges, Carla Kaplan, Patricia Laurence, Rebecca Mark, Diane Middlebrook, Carla L. Peterson, Lillian Robinson, Deborah Silverton Rosenfelt, Judith L. Sensibar, Judith Bryant Wittenberg, and Sharon Zuber.
This collection investigates the multifaceted role of silence and silencing as a critical lens for reevaluating literary history and contemporary academic discourse. Editors Elaine Hedges and Shelley Fisher Fishkin assemble a diverse cohort of scholars to examine the legacy of Tillie Olsen’s foundational work on the subject. The essays utilize historical, multicultural, and feminist frameworks to map how silence functions as both a creative constraint and a systemic barrier within the American literary canon.
What You Will Find
Scholars and critics recognize this volume as a significant contribution to the evolution of feminist literary theory. Readers frequently note the academic density of the prose, which serves as a foundational reference for those studying the intersection of gender, power, and the literary archive.
Page Count:
336
Publication Date:
1994-01-01
Publisher:
Oxford University Press
ISBN-10:
0199762759
ISBN-13:
9780199762750
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