This book investigates the complex relationship between Chinese cinema and the nation's evolving cultural and political landscape during the 20th century. Yingjin Zhang, a noted scholar of Chinese film and literature, draws upon extensive archival research and critical analysis of cinematic works to present a nuanced argument about how film has both reflected and shaped national identity. The book explores the ideological underpinnings of film production and reception, examining the state's role in shaping cinematic narratives and the ways in which filmmakers and audiences have navigated these constraints.

Screening China is recognized as a significant contribution to the field of Chinese film studies, offering a comprehensive and theoretically informed analysis of the medium's historical development and cultural impact. Scholars have noted its rigorous research and insightful interpretations of cinematic texts within their broader socio-political contexts. The book is considered an essential resource for understanding the intricate connections between film, ideology, and national identity in modern China.