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Music education takes place in many contexts, both formal and informal. Be it in a school or music studio, while making music with friends or family, or even while travelling in a car, walking through a shopping mall or watching television, our myriad sonic experiences accumulate from the earliest months of life to foster our facility for making sense of the sound worlds in which we live. The Oxford Handbook of Music Education offers a comprehensive overview of the many facets of musical experience, behavior and development in relation to this diverse variety of contexts. While the first volume primarily focuses on children during school-age years, this second collects an international list of contributors to explore how music learning takes place outside of the traditional classroom environment. Discussing a range of issues such as music education for the special needs population, music learning in adulthood, and music learning through media and technology these chapters help to broaden conceptions of music and musical involvement. Whether they are used individually or in tandem, the two volumes of The Oxford Handbook of Music Education update and redefine the discipline, and show how individuals across the world learn, enjoy and share the power and uniqueness of music.
This volume investigates the diverse mechanisms and environments through which musical learning occurs outside of traditional academic settings. Editors Gary McPherson and Graham Welch, both distinguished scholars in music education, curate an international collection of research that challenges the classroom-centric view of musical development. By synthesizing data on adult learning, technology-mediated music acquisition, and inclusive practices, the text argues for a broader, more holistic definition of musical engagement across the lifespan.
What You Will Find
Experts recognize this work as a foundational reference for researchers and practitioners seeking to understand the breadth of modern music education. Readers frequently note the academic density of the prose, which provides a rigorous framework for evaluating how individuals interact with music in daily life.
Page Count:
768
Publication Date:
2012-01-01
Publisher:
Oxford University Press
ISBN-10:
0199928029
ISBN-13:
9780199928026
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