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As One Of The Original Pioneering Composers Of The American Experimental Music Movement And A Well Known Scholar Of Classics, Christian Wolff Has Long Been Active As A Significant Thinker And Elegant Writer On Music. With Occasional Pieces, Wolff Brings Together A Collection Of His Most Notable Writings And Interviews From 1950 To The Present, Shining A New Light On American Music Of The Second Half Of The Twentieth Century. The Collection Opens With Some Of His Earliest Writings On His Craft, Discussing His Own Proto-minimalist Compositional Procedures And The Music And Ideas That Led Him To Develop These Techniques. Organized Chronologically To Give A Sense Of The Development Of Wolff's Thinking On Music Over The Course Of His Career, Some Of The Pieces Delve Into Connections Of Music-making To Social And Political Issues, And The Concept Of Indeterminacy As It Applies To Performance, While Others Offer Insights Into The Work Of Wolff's Notable Contemporaries Including John Cage, Morton Feldman, Earle Brown, David Tudor, Frederic Rzewski, Cornelius Cardew, Dieter Schnebel, Pauline Oliveros, And Merce Cunningham. An Invaluable Resource For Historians, Composers, Listeners And Students Alike, Occasional Pieces Offers A Deep Dive Into Christian Wolff's Musical World And Brings New Light To The History Of The American Experimental Movement.
This collection investigates the evolution of American experimental music through the lens of one of its primary practitioners, Christian Wolff. Wolff, a composer and scholar of classics, utilizes his personal archives, interviews, and essays spanning from 1950 to the present to document the development of his own compositional techniques. The book argues that experimental music is inextricably linked to social and political contexts, providing a historical framework for understanding the mid-to-late twentieth-century avant-garde.
What You Will Find
Scope Limits
Scholars and music historians frequently identify this collection as a primary source for understanding the intellectual climate of the American experimental music scene. Readers often note that the prose is accessible to students and enthusiasts while maintaining the academic rigor expected of a scholar in the field.
Page Count:
272
Publication Date:
2017-01-01
Publisher:
Oxford University Press
ISBN-10:
0190222905
ISBN-13:
9780190222901
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