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Tonality and Transformation is a groundbreaking study in the analysis of tonal music. Focusing on the listener's experience, author Steven Rings employs transformational music theory to illuminate diverse aspects of tonal hearing - from the infusion of sounding pitches with familiar tonal qualities to sensations of directedness and attraction. In the process, Rings introduces a host of new analytical techniques for the study of the tonal repertory, demonstrating their application in vivid interpretive set pieces on music from Bach to Mahler. The analyses place the book's novel techniques in dialogue with existing tonal methodologies, such as Schenkerian theory, avoiding partisan debate in favor of a methodologically careful, pluralistic approach. Rings also engages neo-Riemannian theory-a popular branch of transformational thought focused on chromatic harmony-reanimating its basic operations with tonal dynamism and bringing them into closer rapprochement with traditional tonal concepts.Written in a direct and engaging style, with lively prose and plain-English descriptions of all technical ideas, Tonality and Transformation balances theoretical substance with accessibility: it will appeal to both specialists and non-specialists. It is a particularly attractive volume for those new to transformational theory: in addition to its original theoretical content, the book offers an excellent introduction to transformational thought, including a chapter that outlines the theory's conceptual foundations and formal apparatus, as well as a glossary of common technical terms. A contribution to our understanding of tonal phenomenology and a landmark in the analytical application of transformational techniques, Tonality and Transformation is an indispensible work of music theory.
How can transformational music theory be applied to the analysis of tonal music to better understand the listener's experience? Steven Rings, a scholar in music theory, utilizes transformational music theory to examine the phenomenology of tonal hearing. By bridging the gap between neo-Riemannian theory and traditional tonal concepts, the author provides a framework for analyzing directedness and attraction in music. The text synthesizes these methodologies to offer a pluralistic approach to interpreting works ranging from the Baroque era to the late Romantic period.
What You Will Find
Scope Limits
Experts and scholars in the field recognize this work as a significant contribution to the application of transformational techniques in tonal analysis. Readers frequently note that the prose remains accessible despite the technical density of the subject matter.
Page Count:
272
Publication Date:
2014-12-01
Publisher:
Oxford University Press
ISBN-10:
019022570X
ISBN-13:
9780190225704
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