
Opera is often regarded as the pinnacle of high art. A "Western" genre with global reach, it is where music and drama come together in unique ways, supported by stellar singers and spectacular scenic effects. Yet it is also patently absurd -- why should anyone break into song on the dramatic stage? -- and shrouded in mystique. In this engaging and entertaining guide, renowned music scholar Tim Carter unravels its many layers to offer a thorough introduction to Italian opera from the seventeenth to the early twentieth centuries.Eschewing the technical musical detail that all too often dominates writing on opera, Carter begins instead where the composers themselves did: with the text. Walking readers through the relationship between music and poetry that lies at the heart of any opera, Carter then offers explorations of five of the most enduring and emblematic Italian operas: Monteverdi's The Coronation of Poppea; Handel's Julius Caesar in Egypt; Mozart's The Marriage of Figaro; Verdi's Rigoletto; and Puccini's La Bohème. Shedding light on the creative collusions and collisions involved in bringing opera to the stage, the various, and varying, demands of the text and music, and the nature of its musical drama, Carter also shows how Italian opera has developed over the course of music history. Complete with synopses, cast lists, and suggested further reading for each work discussed, Understanding Italian Opera is a must-read for anyone with an interest in and love for this glorious art.
This book investigates the fundamental relationship between text and music in Italian opera to demystify the genre for a general audience. Tim Carter, a distinguished music scholar, utilizes his expertise to move beyond technical musical analysis, focusing instead on the dramatic and poetic foundations of the art form. He provides a framework that prioritizes the interplay between libretto and score to explain why opera remains a coherent and compelling mode of performance.
What You Will Find
Scope Limits
Experts and readers alike value this text for its accessibility and its ability to bridge the gap between academic scholarship and casual appreciation. It is frequently cited as a foundational resource for those seeking to understand the dramatic mechanics of opera without requiring a background in music theory.
Page Count:
288
Publication Date:
2015-10-16
Publisher:
Oxford University Press
ISBN-10:
0190247940
ISBN-13:
9780190247942
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