This book investigates the emergence and development of disability theatre in Canada, exploring its unique contributions to both the theatrical landscape and disability activism. Kirsty Johnston, drawing on extensive archival research and interviews, examines the key figures, productions, and theoretical underpinnings that have shaped this vital artistic movement. The work analyzes how disability theatre challenges conventional notions of performance, representation, and inclusion, offering a critical perspective on the social and cultural construction of disability.

This scholarly work is recognized for its rigorous historical research and insightful analysis of a crucial, yet often overlooked, area of Canadian performance. It is considered an important contribution to disability studies and theatre history, offering a comprehensive look at how disability has been represented and performed. The book is likely to appeal to academics, students, and practitioners interested in performance, activism, and cultural studies.