This book investigates the evolution and characteristics of the burlesque tradition within English theatre following the Restoration in 1660. It examines how this form of entertainment, often characterized by its satirical and often bawdy nature, developed and adapted over time, reflecting broader social and cultural shifts. The author draws upon historical records and theatrical analysis to present a comprehensive overview of burlesque's place in English dramatic history.

The book is regarded as a scholarly examination of a specific theatrical tradition. Its focus on historical context and detailed analysis suggests it appeals to academics and students of theatre history and cultural studies. The subject matter points to a dense, specialist text that offers a thorough exploration of its topic.