This collection of essays examines the evolution of art and artistic discourse in the latter half of the 20th century and beyond. Marjorie Welish, an art critic and poet, presents a series of critical analyses that engage with key movements, artists, and theoretical frameworks that have shaped contemporary art since 1960. The essays explore the complex relationship between artistic production, critical reception, and the theoretical underpinnings that define art in the post-war era.

This collection is recognized for its insightful and rigorous engagement with contemporary art theory and practice. The essays are noted for their intellectual depth and their ability to connect diverse artistic phenomena to broader critical and philosophical currents. Readers and critics have pointed to Welish's sophisticated prose and her capacity to illuminate complex ideas for those interested in the intellectual underpinnings of art after 1960. The book serves as a valuable resource for understanding the critical landscape of modern and postmodern art.