
One of the most important dance artists of the twentieth century, dancer and choreographer Katherine Dunham (1909-2006) created works that thrilled audiences the world over. As an African American woman, she broke barriers of race and gender, most notably as the founder of an important dance company that toured the United States, Latin America, Europe, Asia, and Australia for several decades. Through both her company and her schools, she influenced generations of performers for years to come, from Alvin Ailey to Marlon Brando to Eartha Kitt. Dunham was also one of the first choreographers to conduct anthropological research about dance and translate her findings for the theatrical stage. Katherine Dunham: Dance and the African Diaspora makes the argument that Dunham was more than a dancer-she was an intellectual and activist committed to using dance to fight for racial justice. Dunham saw dance as a tool of liberation, as a way for people of African descent to reclaim their history and forge a new future. She put her theories into motion not only through performance, but also through education, scholarship, travel, and choices about her own life.Author Joanna Dee Das examines how Dunham struggled to balance artistic dreams, personal desires, economic needs, and political commitments in the face of racism and sexism. The book analyzes Dunham's multiple spheres of engagement, assessing her dance performances as a form of black feminist protest while also presenting new material about her schools in New York and East St. Louis, her work in Haiti, and her network of interlocutors that included figures as diverse as ballet choreographer George Balanchine and Senegalese president Léopold Sédar Senghor. It traces Dunham's influence over the course of several decades from the New Negro Movement of the 1920s to the Black Power Movement of the late 1960s and beyond. By drawing on a vast, never-utilized trove of archival materials along with oral histories, choreographic analysis, and more, this book provides a comprehensive look at a woman who changed the face of American dance.
This book investigates how Katherine Dunham utilized dance as a primary vehicle for intellectual inquiry, political activism, and the pursuit of racial justice throughout the twentieth century. Author Joanna Dee Das, a dance historian, constructs a framework that positions Dunham not merely as a performer, but as a scholar-activist who synthesized anthropological research with theatrical practice. By examining Dunham's life through the lens of black feminist protest, the text argues that her choreography and educational initiatives served as deliberate tools for liberation and cultural reclamation.
What You Will Find
Scope Limits
Scholars and dance historians recognize this work as a significant contribution to the field for its extensive use of previously untapped archival materials. Experts frequently highlight the book's success in bridging the gap between performance studies and political history.
Page Count:
287
Publication Date:
2017-01-01
Publisher:
Oxford University Press
ISBN-10:
0190264896
ISBN-13:
9780190264895
No comments yet. Be the first to share your thoughts!