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This is the first detailed history of musical activities at Venetian lay confraternities. Based on over two decades of research in Venetian archives, the book traces musical practices from the origins of the earliest confraternities in the mid-thirteenth century through their suppression under the French and Austrian governments of Venice in the early nineteenth century. The first section of the book treats the scuole grandi, the largest and most important of the Venetian confraternities, and the only ones to maintain musical establishments for long periods. The second portion of the book is concerned with the scuole piccole, the numerous less-important confraternities, sometimes as many as 300 of which were active simultaneously, located in churches throughout Venice. Appendices include an attempt to reconstruct a calendar of musical events at all Venetian confraternities in the early eighteenth century, demonstrating the vital role they played in the cultural and ceremonial life of this great city.
This work investigates the evolution and function of musical practices within Venetian lay confraternities from the thirteenth century to their dissolution in the early nineteenth century. Jonathan E. Glixon, a scholar of musicology, utilizes over twenty years of archival research to document how these organizations integrated music into their religious and civic identities. The book argues that these confraternities were central to the cultural fabric of Venice, serving as vital patrons of musical performance across both major and minor institutions.
What You Will Find
Scope Limits
Experts recognize this text as a definitive archival study of Venetian musical patronage. Scholars frequently cite the book for its meticulous documentation and its contribution to understanding the social history of music in early modern Italy.
Page Count:
385
Publication Date:
2003-01-01
Publisher:
Oxford University Press
ISBN-10:
0190285524
ISBN-13:
9780190285524
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