
A History of Western Choral Music explores the various genres, key composers, and influential works essential to the development of the western choral tradition. Author Chester L. Alwes divides this exploration into two volumes which move from Medieval music and the Renaissance era up to the 21st century. Volume I surveys the choral music of composers including Josquin, Palestrina, Purcell, Handel, and J.S. Bach while detailing the stylistic, textual, and extramusical considerations unique to the topics covered. Consideration of Renaissance music includes both sacred and secular works, specifically addressing the growth of sacred music, the rise of secular music, and the proliferation of sacred polyphony from Josquin to Palestrina. Discussion of the Baroque era is organized by geographic location, exploring the spread of Baroque style from Italy to German, France, and England. Volume I concludes by examining the aesthetic underpinnings of the early Classical and Romantic eras. Framing discussion within the political, religious, cultural, philosophical, aesthetic, and technological contexts of each era, A History of Western Choral Music offers readers specialized insight into major composers and works while providing a cohesive understanding of choral music's place in Western history.
This volume investigates the evolution of the Western choral tradition by examining the intersection of musical development with the broader political, religious, and cultural contexts of the Medieval, Renaissance, and Baroque eras. Author Chester L. Alwes, a scholar of choral music, utilizes a comprehensive historical framework to analyze how stylistic shifts and technological advancements influenced the compositions of major figures such as Josquin, Palestrina, and J.S. Bach. The text provides a structured analysis of both sacred and secular works, situating them within their specific geographic and aesthetic environments.
What You Will Find
Scope Limits
Experts and musicologists frequently cite this work as a foundational resource for understanding the technical and cultural history of choral performance. Readers often note the academic density of the prose, which serves as a rigorous reference for students and professionals in the field of musicology.
Page Count:
504
Publication Date:
2015-01-01
Publisher:
Oxford University Press
ISBN-10:
0190457724
ISBN-13:
9780190457723
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