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Volume one includes an extended foreword and preface, four essays, and statements by 44 artists; volume two has a fifth essay on the exhibition and installation shots. Subjects covered include the history of the exhibition and the Carnegie museum, curatorial rationale, architecture, postmodernism, hypertravel, language and linguistic theory, internationalism and transculturalism, metaculture, post-communism and contemporary Russian culture, contemporary museology, collection and display ideology. Contributors: Francis, Mark (Curator); Francis, Mark (Author); Cooke, Lynne (Curator); Cooke, Lynne (Interviewer); Cooke, Lynne (Author); Nanjo, Fumio (Author); Zinik, Zinovy (Author); Serra, Richard (Interviewee); Colquhoun, Alan (Interviewee); Asher, Michael (Artist); Asher, Michael (Author); Barry, Judith (Artist); Barry, Judith (Author); Boltanski, Christian (Artist); Boltanski, Christian (Author); Cage, John (Artist); Cage, John (Author); Cragg, Tony (Artist); Cragg, Tony (Author); Deacon, Richard (Artist); Deacon, Richard (Author); Hamilton, Ann (Artist); Hamilton, Ann (Author); Hamilton, Richard (Artist); Hamilton, Richard (Author); Kabakov, Ilya (Artist); Kabakov, Ilya (Author); Kelley, Mike (Artist); Kelley, Mike (Author); Lum, Ken (Artist); Lum, Ken (Author); McCollum, Allan (Artist); McCollum, Allan (Author); McCracken, John (Artist); McCracken, John (Author); Miyajima, Tatsuo (Interviewee); Muñoz, Juan (Artist); Muñoz, Juan (Author); Nauman, Bruce (Artist); Nauman, Bruce (Author); Nordman, Maria (Artist); Nordman, Maria (Author); Paolini, Giulio (Artist); Paolini, Giulio (Author); Rollins, Tim + K.O.S. (Artist); Rollins, Tim + K.O.S. (Author); Serra, Richard (Artist); Serra, Richard (Author); Struth, Thomas (Artist); Struth, Thomas (Author); Sugimoto, Hiroshi (Interviewee); Taaffe, Philip (Interviewee); Wool, Christopher (Artist); Wagstaff, Sheena (Author); Gardner, Colin (Author); Johnston, Phillip M. (Pre
This two-volume set documents the 1991 Carnegie International exhibition, exploring its curatorial rationale and the broader context of contemporary art. Volume one provides an extended foreword and preface, four essays, and statements from 44 participating artists, while volume two includes a fifth essay and installation photography. The works delve into the history of the exhibition and the Carnegie Museum of Art, architectural considerations, postmodernism, and themes of internationalism and transculturalism.
This comprehensive catalogue offers a deep dive into the 1991 Carnegie International, serving as both a historical record and an analytical exploration of the exhibition's themes and context. The inclusion of essays by curators and art historians, alongside statements from the featured artists, provides a multi-faceted perspective on the art world of the early 1990s. The detailed scope, covering everything from curatorial intent to specific artistic movements like postmodernism and post-communism, suggests a text aimed at serious art historians, curators, and dedicated enthusiasts of contemporary art. Its dual-volume format and extensive contributor list indicate a thorough and scholarly treatment of the subject matter.
Page Count:
242
Publication Date:
1992-01-01
Publisher:
Carnegie Museum of Art
ISBN-10:
0847814998
ISBN-13:
9780847814992
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