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Art History After the Sixties examines the 1960s and 1970s as a watershed era in our current understanding of art and its historiography. Pamela Lee asks how, why, and at what cost art critics of that generation shifted their attention away from aesthetics to focus pimarily on the social and political nature of art, most notably in the writings appearing in the influential journal October. She also looks closesly at the major artists of that era from Robert Smithson, most well known for his provocative earthwork Spiral Jetty, to Andy Warhol. Art History After the Sixties is the fifth volume in "Theories of Modernism and Postmodernism in the Visual Arts", James Elkins's series of short books on the theories of modernism written by leading art historians on twentieth-century art and art criticism. The book will feature a critical introduction by a fellow art historian placing the book in conversation with the previous books in the series.
This book investigates the shift in art historical discourse during the 1960s and 1970s, specifically questioning how the focus moved from aesthetic concerns to the social and political dimensions of art. Pamela M. Lee, a scholar of contemporary art, utilizes the archival history of the journal October and the oeuvres of figures like Robert Smithson and Andy Warhol to map this transition. She examines the historiographical costs of this pivot, arguing that the era fundamentally redefined the parameters of how art is understood and critiqued in the modern age.
What You Will Find
Experts recognize this work as a significant contribution to the historiography of twentieth-century art criticism. Readers frequently note the academic density of the prose, which is intended for those familiar with the theoretical frameworks of the period.
Page Count:
251
Publication Date:
2012-01-01
Publisher:
Routledge
ISBN-10:
0415988799
ISBN-13:
9780203930557
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