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The Male Dancer 2nd Edition updates and enlarges a classic Routledge title that has established itself as the definitive study of the role of men in ballet, modern and postmodern dance. In this challenging and lively book, Burt examines the representation of masculinity in twentieth and twenty-first century dance. Taking issue with formalist and modernist accounts of dance, which dismisses gender and sexuality as irrelevant, he argues that prejudices against male dancers are rooted in our ideas about the male body and male behavior. Drawing on recent developments in dance and performance theory, Burt provides a provocative theory of spectatorship in dance. He examines the work of choreographers such as Nijinsky, Graham, Bausch and Bill T Jones, relating performances of masculinity in their dances to the social, political and artistic contexts in which these were produced. The Male Dancer has proven to be essential reading for anyone interested in dance and the cultural construction of gender. Ramsay Burt has thoroughly updated this important work to include dance works from the last ten years. Reflecting on the latest studies in theory, performance and practice, he has renewed its timeliness for centuries. The trouble with the male dancer -- Looking at the male -- Nijinsky -- American men -- Dancing in the city -- Masculinity and liberation -- Identity politics -- Post men. Ramsay Burt. Includes bibliographical references (p. 214-225) and index.
This book investigates the cultural construction of masculinity within the history and performance of twentieth and twenty-first-century dance. Ramsay Burt, a scholar in dance and performance theory, challenges traditional formalist perspectives that ignore gender and sexuality in dance. He argues that societal prejudices against male dancers are deeply embedded in broader cultural assumptions regarding the male body and normative male behavior, utilizing a framework that connects specific choreographic works to their wider social and political contexts.
What You Will Find
Experts and scholars recognize this work as a foundational text for understanding the intersection of dance history and gender studies. Readers frequently note the academic density of the prose, which provides a rigorous theoretical basis for analyzing performance practice.
Page Count:
233
Publication Date:
2007-01-01
Publisher:
Routledge
ISBN-10:
0203960971
ISBN-13:
9780203960974
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