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The Critical Dictionary Of Film And Television Theory Clearly And Accessibly Explains The Major Theoretical Approaches Now Deployed In The Study Of The Moving Image, As Well As Defining Key Theoretical Terms.this Dictionary Provides Readers With The Conceptual Apparatus To Understand The Often Daunting Language And Terminology Of Screen Studies. Entries Include: *audience * Homi K. Bhabha * Black Cinema * The Body * Children And Media * Commodification * Cop Shows * Deep Focus * Umberto Eco * The Gaze * Donna Haraway * Bell Hooks * Infotainment * Master Narrative * Medical Dramas Bool Cover; Half-title; Title; Copyright; Contents; Contributors; Introduction; Acknowledgements; A; B; C; D; E; F; G; H; I; J; K; L; M; N; O; P; Q; R; S; T; U; V; W; Index Edited By Roberta E. Pearson And Philip Simpson. Description Based Upon Print Version Of Record. Includes Bibliographical References And Index. English
This dictionary serves as a foundational reference tool designed to demystify the complex theoretical frameworks and specialized terminology prevalent in contemporary screen studies. Edited by Philip Simpson and Roberta Pearson, the text provides a structured lexicon for students and researchers navigating the intersection of film and television theory. By synthesizing diverse critical approaches, the authors offer a clear conceptual apparatus for analyzing the moving image within academic discourse.
What You Will Find
Scholars and students frequently cite this work as an accessible entry point for understanding the dense jargon of media theory. Experts highlight the dictionary as a reliable, foundational resource for those beginning their research in the field of screen studies.
Page Count:
528
Publication Date:
2005-01-01
Publisher:
Taylor & Francis Group
ISBN-10:
0203992008
ISBN-13:
9780203992005
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