The Crossley Gallery's establishment in 1966 marked a pivotal moment in Australian contemporary art by fostering a unique cultural exchange between Japanese and local printmakers. Tate Adams' pioneering vision for the gallery, located off Bourke Street, Melbourne, involved importing contemporary Japanese prints from masters like Munakata and Sasajima, and exhibiting them alongside emerging Australian artists such as Fred Williams, Roger Kemp, George Baldessin, and Bea Maddock. This intersection of artistic traditions quickly positioned the Crossley Gallery and its associated Crossley Print Workshop as a central hub for printmaking activity. The book compiles memoirs from individuals connected to the gallery and showcases prints that were either displayed or commissioned by Tate Adams, a notable printmaker himself, offering crucial insights into a less-explored facet of Australia's contemporary art development.

The book offers a detailed look into a significant period for Australian printmaking, highlighting the Crossley Gallery's role in bridging Japanese and local artistic communities. Its content, drawn from memoirs and a showcase of commissioned works, provides valuable primary source material for understanding this under-examined aspect of art history. The inclusion of contributions from artists and associates offers a multi-faceted perspective on the gallery's impact. The special edition, featuring original artwork, further underscores the book's significance as a collector's item and an art historical document.