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In The Beat Stops Here: Lessons On And Off The Podium For Today's Conductor, Master Conductor Mark Gibson Addresses The Technique Of Conducting As An Extension Of Intimate Knowledge Of The Score To The Hands And Arms. He Employs A Variety Of Everyday Activities And Motions (brushing The Dog, Tinkerbelle, The Door Knob) To Describe The Physical Aspects Of The Role. He Advocates A Comprehensive, Detailed Approach To Score Study, Addressing Major Works Bar-by-bar In Terms Of Both Musical Analysis And Conducting Method. Finally, Gibson Explores The Various Roles A Conductor Plays, As A Teacher, A Scholar And A Member Of The Musical Community. His Writing Is Highly Focused, With An Occasionally Tongue-in-cheek, Discussing Everything From Motivic Development In Brahms To How To Hold A Knife And Fork In Public. In Short, The Beat Stops Here Is A Compendium Of Style And Substance In The Real World Of Today's Conductor.
This text investigates the technical and professional requirements of modern conducting, positing that effective leadership on the podium is an extension of deep score intimacy translated through physical gesture. Mark Gibson, a seasoned conductor and educator, synthesizes his pedagogical experience to provide a framework that bridges the gap between abstract musical analysis and the physical reality of leading an ensemble. He argues that the conductor's role is multifaceted, requiring a balance of scholarly rigor, technical precision, and social awareness within the musical community.
What You Will Find
Scope Limits
Readers frequently note the practical utility of Gibson's physical analogies for conducting gestures. Experts highlight this as a valuable resource for students and professionals seeking to integrate technical score study with the physical demands of the podium.
Page Count:
336
Publication Date:
2017-01-01
Publisher:
Oxford University Press
ISBN-10:
0190605898
ISBN-13:
9780190605896
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